HIT & MISS: Female Rappers

In this week's Hit & Miss, Andrew takes a look at the women who breathed life into rap music and those who should've stuck to...anything other than being a rapper.

Scroll through the gallery to see the Hits & Misses of female rappers >>>
HIT: Jean Grae She’s quirky, she can rap and she likes comic books, as her X-Men inspired name would suggest. Jean Grae is pretty much the ideal woman for male rap purists, no matter how staunch some of them may be. The fact that she can spit bars that put even male counterparts like Talib Kweli to shame is the cherry on top and adds to her attractiveness, without being overtly sexual. These ingredients should be a recipe for mainstream success, however this Brooklyn native has chosen to keep things pure. While she doesn’t have platinum plaques she has the one thing her female peers crave: hip-hop respect, without sacrificing her femininity or dignity.
MISS: Kreayshawn Like crack pipes to junkies, we can’t live without the internet. As with any good drug dealer, an endless parade of people have attempted to capitalise on this addiction and transform themselves into celebrities. Being popular on the internet however doesn’t always equate into real life popularity. Few embody this as much as Kreayshawn. She first appeared, much like a rash, with her viral hit Gucci Gucci, setting white people and female rappers back a couple of decades. While it was aurally offensive it smacked of a one hit wonder; that was until she kept coming back with new tracks. Despite having over a million followers on Facebook and Twitter combined her much hyped debut album Somethin' 'Bout Kreay has, to date, sold under 4000 copies. She’ll need to get familiar with numbers for her next job at 7/11.
HIT: Azealia Banks Just as the lines between genres continue to become blurred so is the division between male and female rappers. Few embody these two shifts as well as Azealia Banks. She casually drops the c-bomb like a form of reverse sexism, so she has both the feminists and misogynists on lock. She also happens to be from Harlem so she has hood stripes. If that wasn’t enough she has a Valley Girl style accent, she can sing and she favours electro beats so the suburban club girls love her too. Azealia Banks is basically the Nicki Minaj that it’s okay to like, combining fashion savvy with talent.
MISS: Remy Ma A female artist could ask for no better entrance into the game than being endorsed by a legend. Mentored by the late Big Pun, Remy Ma stormed out the gate with a ferocious lyrical style and aggressive attitude, impressing with guest verses on tracks like You Was Wrong and the Ante Up remix. Once the time came to release her own solo project however she proved to lack the talent to carry an entire song on her own. Solidifying her mediocrity she got engaged to fellow hyped underachiever Papoose. Currently serving time for shooting a friend in the torso, Remy tied the knot with Pap in 2008. She is set to have a parole hearing in 2014.
HIT: MC Lyte Back when female rappers were still finding their place and there were only a select few fighting for the cause this lady was a guiding Lyte (sorry). While she had a similar confrontational attitude to counterparts like Roxanne Shante, MC Lyte took a more constructive approach. When she called out a fellow female rapper it appeared to come from a place of wanting her gender to progress in the scene, rather than just asserting her dominance. Her attempt to sex up her image in the ‘90s may have been a mis-step but her place as a pioneer can never be forgotten.
MISS: Heather Hunter Rap music and pornography, a match made in heaven. At least that’s what veteran porn actress Heather Hunter was counting on when she swapped orgies for the recording studio. The star of Coming on America and Bad Girls 10: In the Cage wanted to test her, ahem, oral skills in a new field by recording a hip-hop album in 2005. Double H: The Unexpected was released through the appropriately named Blo Records and featured an appearance from rapper/porn enthusiast Akinyele and production from Scott Storch. For the ultimate hip-hop boner she even rhymed over a DJ Premier beat on Freak Like Me. The results however are less stimulating than they sound.
HIT: Salt-N-Pepa There have been several female groups in the history of rap from Eazy-E protégés, JJ Fad, to trailer trash mascots White Girl Mob, but there is only one Salt N Pepa. When they first emerged they were called out by their territorial counterparts for being too simplistic however in the grand scheme they did more than almost any other act of their generation. Like the rap equivalent of Madonna, the trio was able to transition with the times, from a female Run-DMC to powerful sex kittens, with complete ease. No they didn’t reinvent the wheel when it came to rhymes and patterns, but their lyrical content and defiant attitude pushed their gender even further into a place of prominence.
MISS: Amil It must be tough as a female in a male dominated industry, especially when you’re in a group with a bunch of dudes. That was the unique position Amil found herself in as the first female rapper signed to Jay-Z’s juggernaut Roc-A-Fella Records. First appearing on Jigga’s Grammy nominated Vol. 2... Hard Knock Life, she continued to build up her experience before having the chance to release her debut album A.M.I.L - All Money Is Legal in 2000. The combination of her raspy voice, which grew tired real fast outside of a guest verse, and production that sounded like off-cuts from a Memphis Bleek album resulted in a lacklustre project. At least she got to work with Beyonce.
HIT: Lauryn Hill Few female artists have been so talented yet so frustrating as Lauryn Hill. Gifted as a rapper and a singer, she easily outclassed her partners in the Fugees. After one forgettable album and one classic she did what music fans were craving when she went solo. She recorded her solo gem, The Miseducation of Lauryn Hill, which truly placed her in an elite class and showcased her full talents. Like any good eccentric artist she followed this up by retreating into the darkness and then “the bitch put out a CD that didn't have no beats,” as 50 Cent so eloquently put it. Even if she never releases anything again she will get a free pass purely based on her skills.
MISS: Jacki-O The struggle between sexuality and lyrical substance has been a constant battle that female rappers have been fighting since the late 70s. Over the years many uniquely gifted women have found their way to express this struggle in eloquent ways. Going in the opposite direction southern belle Jacki-O studied at the Lil Kim school of rap. Lacking the personality and talent of her designer clad idol, Jacki let her body do the talking, except it didn’t have much to say either. Ironically her second album, Lil Red Riding Hood, which lacked the hype of her debut performed better on the charts.

Hip-hop is one big sausagefest. It always will be but things have progressed since the dark old days with successful women and, gasp, even gay and transgender rappers now on the scene. Some purists may be crying in their cheap beers but it means more women at hip-hop shows, which can’t possibly be a bad thing. The term ‘femcee’ sounds like an extinct bird so let’s stick with female rapper.

As a tight knit culture in the early days it was almost a privilege for females to even be allowed into the inner circle. The first wave of female rap artists such as The Sequence (featuring a pre-neo soul Angie Stone) and Sha Rock of the group Funky Four Plus One mostly tried to keep pace with the fellas, with only occasional mentions of their gender and sexuality. Deborah Harry of new wave band Blondie unknowingly did her part to kick the door down, which is probably hard to do in stilettos. Her charming yet simplistic rhymes in a way laid the path for the white female rappers of today.

As rap traded its disco sequins for leather, female rappers such as Roxanne Shante adapted. Like a female Napoleon, the short statured rapper beefed with seemingly every female on the scene including Sparky D and a legion of imitators such as The Real Roxanne, setting out to prove that she was the one and only queen of rap. While you had a wave of novelty acts like Wee Papa Girl Rappers and Betty Boo, things continued to take a serious tone with a new conscious female movement, including Queen Latifah and Monie Love. The cause was later picked up by highly underrated artists like Ladybug Mecca of Digable Planets and Mystic. Alongside the conscious movement was the gangsta rap movement which gave birth to the tomboy rap of Yo Yo, Conscious Daughters and Da Brat. These were the women Apache was talking about on Gangsta Bitch, the kind that could drink a 40 ounce and wore baggy shorts to obscure their vaginas.

Then there were others that wanted to flaunt theirs in some twisted form of female empowerment. This movement could be called designer rap and was pioneered by Lil Kim and Foxy Brown, and later mutated into the stripper rap of Khia, Trina and others. While it became the dominant approach there were others such as Missy Elliott, Rah Digga and Bahamadia who wanted to highlight their talent rather than their bodies. Today female rappers have a lengthy history to draw from and incorporate many elements. You have Barbie rap (Nicki Minaj, Lola Monroe), female Brit rap (Speech Debelle, Estelle) and other new schoolers who like to play several sides, including Kellee Maize and Melodee. Female rap is pretty hot right now so it’s the perfect time for savvy artists to strike, hint hint Iggy Azalea (drop your album already).

Here we look at women who have stamped out their own unique identities and those that have suffered identity confusion or were musically misguided. Miss anybody? Let us know!

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